Now in its sixth edition, 3hd 2020 will act as a queer-feminist biotope created by Creamcake. "UNHUMANITY" deals with a system of human and non-human forces, built around an interconnected habitat of art, music, performance, digital culture, and its relationship to the more opaque idea of Nature Herself. The festival’s program is an expression of a transition between an untenable past and an uncertain future, while recognizing natural and technological actors as equal partners, and bringing its audience closer to a new model for an interspecies community.
In an era of climate change and pandemic, 3hd 2020 will implement a decentralized and dislocated festival structure across different locations around the globe. Los Angeles, Milan, and the woods of Norway, are just some of the nodes in the neural network of the extended ECO-centers organism, branching out from its usual base in Berlin. While there will still be events at HAU Hebbel am Ufer and Gallery at Körnerpark from November 3 to 7, Creamcake will commence their multidimensional program, online and IRL, starting on August 20 and running to January next year.
View our archive at http://3hd-festival.com/archive.
Team
Co-Founder & Artistic Director
Daniela Seitz
Co-Founder & Managing Director
Anja Weigl
Curation & Project Management
Tomke Braun
Editorial
Steph Kretowicz
Press & Communication
Giselle Gordon
Communication Assistant
Atefa Omar
Production Assistant
Buyegi Kisalya
Design
Jon Lucas
Photography & Video
Ink Agop & Jannik Schneider
3hd 2020: “UNHUMANITY”
Visitor & Service Information
Due to the current COVID-19 situation, we have implemented adapted health and safety regulations with every venue for our audience.
Ticketing/ Entry
Hygiene regulations in the event area
Gastronomy/ Service/ Team
Accessibility information by venue
If you still have questions or need help, please contact our team at production@creamcake.de.
Venue: Kleiner Wasserspeicher
Address: Diedenhofer Str. 10405 Berlin
Website
Barrier-free entry/ Special:
A barrier-free entrance to the water reservoir is accessible via Kolmarer Straße, which is suitable for people with limited mobility, wheelchairs and prams. There are no restrooms at Großer Wasserspeicher. Parts of the paths are paved with cobblestone. Our team is happy to assist you.
Venue: Großer Wasserspeicher
Address: Belforter Str. 10405 Berlin
Website
Barrier-free entry/ Special:
A barrier-free entrance to the water reservoir is accessible via Kolmarer Straße, which is suitable for people with limited mobility, wheelchairs and prams. There are no restrooms at Großer Wasserspeicher. Parts of the paths are paved with cobblestone. Our team is happy to assist you.
Venue: HAU Hebbel am Ufer
Address: HAU2, Hallesches Ufer 32, 10963 Berlin
Website
Barrier-free entry/ Special:
HAU2 is barrier-free. There are two marked parking spots in front of the building (in Großbeerenstraße). A wheelchair ramp and lift, as well as barrier-free restroom facilities are available. Advance notification advised via service@hebbel-am-ufer.de or +49 (0) 30 259004-102.
Venue: Galerie im Körnerpark
Address: Schierker Str. 8, 12051 Berlin
Website
Barrier-free entry/ Special:
Visitors who require a barrier-free entrance or exit have the opportunity to use the ramp in the park. Barrier-free restroom facilities are available.
Venue: Schloss Biesdorf
Address: Alt-Biesdorf 55, 12683 Berlin
Website
Barrier-free entry/ Special:
Access to Schloss Biesdorf is barrier-free. Barrier-free restroom facilities are available.
Steph Kretowicz is a writer, editor and journalist specialising in music, contemporary art and online culture. Writing appears in Flash Art, Dazed & Confused, Resident Advisor, The Fader and The Wire, as well as The Guardian, Somesuch Stories, and Oxford Artistic and Practice Based Research Platform, among others. Kretowicz is co-founder and editor of arts publication AQNB.com, presenter on the platform’s Artist Statement podcast and author of novel and cross-media narrative Somewhere I’ve Never Been, published by TLTRPreß and Pool in 2017. A number of interdisciplinary pieces around new media and distributed storytelling appear on digital commission platform Opening Times, as well as NTS Radio, Montez Press Radio and Berlin Community Radio. Kretowicz has also presented workshops, panels, screening presentations and performative multimedia readings at independent art spaces and institutions in London, Berlin, Tallinn, Helsinki, Los Angeles, New York, and elsewhere.
Ben Babbitt is a producer and composer working mainly within contemporary electronic music, performance, and scoring for visual media. The Los Angeles-based artist is known for creating the score for acclaimed video game Kentucky Route Zero, as well as feature film Paris Window, released by Not Not Fun in 2019. Babbitt’s work as both a solo artist and collaborator has been presented at the V&A Museum in London, the Art Institute of Chicago, SCI-ARC and Human Resources in Los Angeles, while in 2019 he was invited to present Overflows, a site-specific performance for four vocalists and quadraphonic electronics at the Getty Museum. Other projects include commercial work for Vogue, i-D Magazine, Chanel, and MOCA Los Angeles, mixes for NTS Radio and Dublab, and production for How to Dress Well, Tyler Matthew Oyer, and string arrangements and co-production on Angel Olsen’s 2019 album All Mirrors.